Presentation 27

Transcript (PDF)

The Future and The New Past
Presentation 27 of 52

Presentation 3-1
Presented by Roger Weir
Saturday, July 4, 2015

Transcript:

We come to the 27th presentation and in a year of 52 this is the beginning of the second half. And we're looking at the future and the new past as a continuity. Not time based on past and future divided by a present now moment. But taking that present dot now moment and evaporating it. And it doesn't leave a gas. It leaves a continuity of time. And time in that continuity is the first dimension. And emerges spontaneously out of the zero field of Mother Nature.

We're used to dividing time. And so, when we speak of 2015 being a year of preparation for the next year, the preparation of 2015 includes a wisdom adventure in the form of the new horizons probe some 17 years in the planning by hundreds of people supported by tens of thousands of people in the industry and the sciences, the lives. And nine years in flight. And in ten days it will reach the Pluto system. Pluto and its giant moon, Charon, and several smaller moons are 3 billion miles away. It will be the farthest reach that are more comprehensive, analytical cognitive capacity technologically blossoms into dimensions of consciousness that were only available through vision previously. And only by those prismatic persons whose art of differentiation complemented the great integral of their symbolic mind through written language, which has an art form in the language of mathematics. We could vision and we could have prismatic persons do the hire math. And that is how we were able to get new horizons to the Pluto system 3 billion miles away on time, on a schedule that is down literally to the sub seconds.

And it is an extraordinary shot. No one is such a marksman that they could take aim and shoot it because everything is in dynamic. Everything is moving. The entire planets around the sun, the star system as a whole, the cluster of star systems is a larger whole. The arm of the Milky Way galaxy on whose spur we rest. And a whole cluster of a family of galaxies in a super, super cluster of cluster of clusters of galaxies. All in motion. All in dynamic. All within the dimensions of time.

So, our keeping track of a future and keeping track of a past when it dissolves, evaporates out of present into presence, that continuity is more than universal it's cosmic. So that we are participants in the way in which vision enlarges a four-dimensional space-time into a fifth dimension that traditionally was called magical. In the theater the fifth business famously, was the magic of the night, of the performance, of the day, of the afternoon, of the venue, of the cast, of the play, of the playwright, etc., etc. And there are magical moments that are so sublime they become mysterious. And so, in ten days, as we count down, the magical is actually occurring and the mysterious about to blossom.

For those of us who were in Pasadena with the JPL crowd when Voyager two encountered Neptune for the first time in 1989, there was a clear, mystical sense among this most technological crowd that we were participating not just witnessing, participating in the blossoming of a mystery. Most appreciatively. And the deep mystical blue of Neptune that had never been appreciated ever before. Like a great magical scrying ball with its huge white cloud like Jupiter's red spot, giving the sense of some mystery. And then Voyager two shifting to its huge moon, Triton. And the mystery became a feast of Thanksgiving for disclosing something beyond belief. The surface was not cratered. It had a young geology in geological terms of a star system. It looked like the skin of a cantaloupe. And black streaks were seen to be huge plumes of liquid nitrogen, carbon, black in geysers that were hundreds of miles high, drifting across the face of Triton at a diameter of about 1700 miles. That rotates in a counterclockwise orbit, unlike all other moons in the star system. Which showed that Neptune and mystically had reached out with its gravity and had captured Triton from a large unsuspected body called the Kuiper Belt. And Pluto and its giant moon, Charon, are a large double dwarf planet like Triton in the Kuiper Belt. Still uncaptured by Neptune.

And now we understand that the star system is opening to us a third phase where the magic of that phase of going through the known star system and the second phase of discovering what actually they look like. What Mercury and Venus and Mars and Jupiter and Saturn and Uranus and Neptune and all the moons and the asteroids look like. We are now seeing something that is larger than the star system that we knew just yesterday. The Kuiper Belt extends from where Pluto, at the very edge of it is now almost twice as far out and is still a part of the star system. And is filled with tens of thousands of bodies that are super-sized like the asteroids. But that larger size. And that we are about to witness the beginning of the discovery of the revelation of where we live. In a very real way. In a universe that is just now beginning to disclose to us the maturity of our species to recognize. And hopefully that next generation and the third generation, especially the grandchildren, will carry that recognition into realization.

All of this involves learning. It does not involve instruction. No one knew here. That is to say, there may well be those from other star systems who would know because of that. But none of our species native to this star system knew. With the precision and the beauty that occurs learning alone will catch us up with the actuality of a dynamic continuity of time that has in place of a present now, in place of an ego, in place of a more confident, richer, more powerful self, the evaporation of that into the primordiality of the quality that we have with learning that continues to learn. And that's what we are doing here.

So, the 27th presentation, if someone were to just tune in now to Ustreme for the first time and wonder, what is he talking about? Who is he? The caution would be not only stay tuned and be tuned but recover the larger dimensions of this learning that go back a very long time. I'm now nearly 75. I was a tenured professor at 34. I was designing my first courses 50 years ago. And teaching them on the university level. It is a situation where our humility at learning is a tone of legitimacy of the ability to come into play.

We're looking at the way in which there were nodes in that continuity of the new past, only becoming a new past through a recognition, because when it was just a cognition, it was simply the present then. And it was the dots of the present then that accumulated in terms of shaping of a present understanding. And while they had modified somewhat and while there had been some kind of reforming somewhat, there was no real refining. And the new past refines because it is constantly not just updating, but it is taking the layers as if they were waves. Waves of time and understanding that like all energy, the waves have a frequency. And that that frequency varies greatly by the intensity. And we can graph a frequency and a kind of a sine wave occurs, an ongoing series of sine waves. Like one of the earliest of the really highly conscious civilization favorite decoration. The classical Greeks used the ongoing ness of waves as the band around the capping of the major story of their classical architecture. And above that one was able to put the murals of carved sculpture so that one had a frieze of the visionary population that occurred above this high conscious frequency waves of the rhythm of an ocean of art, which is a very high consciousness extending into history. Which is a kaleidoscopic consciousness out of a visionary differential consciousness. And especially understanding that if one can build in this way, a science has emerged. And with its analytic, with its Pythagorean analytic one can indeed build on amazing levels.

Some more than 2400 years ago, the Parthenon was built to honor Athena, the virgin Goddess of wisdom, with her temple on the height of the Acropolis. And the Parthenon is considered, has been, one of the most perfect buildings in the world. It is not straight up and down like post and beam. All of those columns, the entire building is slightly bowed because the Greeks had mastered taking cues from the Phoenicians how to build super boats that would be ocean worthy. And they built the structure of the Parthenon to be like a very large, capacious boat, like an ark of civilization. That looks like it is post and beams straight, but actually is built to survive, as it has for almost two- and one-half millennia. Despite the fact that a couple of hundred years ago an invading force, the Turks, put in storage their explosives, gunpowder supplies in the middle of the Parthenon. And when it blew up, it would have blown up any building in the world, but not the Parthenon. It's still standing. Yes, it ruined a lot. Almost all of it remains. Even despite that.

We're looking at a learning that has civilization as its health. A refinement of our species, which takes the dimensions of recognition and refines what cognition had hoped it was coming to a completion with and tutoring it that nothing is really complete in such a cosmos that has so many dynamics going on. You have to be a master mathematiki to use the Pythagorean phrase, to be able to understand how to wend your adventurous way in the real. That it takes a tremendous navigable sophistication to be able to do this.
One of my old friends from about 30 years ago was the last man on the Apollo program to master the mathematics of just going to the moon. And one can't just go there. Mathematically one had to go there through multiple frames of plotting all of the dynamics together and keeping the math flowing so that one would arrive exactly, precisely at the stability of a cecum lunar orbit and to be able to go down from there and land that eagle and return and come out of orbit and come back home.

We are able to do that as far as the Kuiper Belt. But instead of going home, new horizons will go further and deeper into the Kuiper Belt to the next Kuiper Belt object yet to be determined. There are several good candidates, and in some years to come five, six, seven years to come, we will go to another Kuiper Belt object. And we will begin to understand by that time in the 2020's that learning is the only way a sar...star system level such civilization with its refined star wisdom species can survive. Can go. It isn't so much anything other than learning to live.

When one talks glibly about lifelong learning, it's lifelong now for the species. For here on out, the blooming continues to be a disclosure beyond belief.

100 years ago, by 1915, the world had been torn by the Great War. And it was torn right after by 1913, everything seemed to be settled. Except that the settlement, which was archetypal centered in Edwardian London. That here at the heart of the British Empire, upon whose range the sun never set rested. And it was exactly there for a generation that literate persons became acquainted with the fact that London is the scene of incredible crimes. And it took a master sleuth like Sherlock Holmes to solve them. And when he solved them, his favorite phrase to his physician sidekick, Dr. Watson, "It's elementary, my dear Watson." Because vision, once it is operating as a fifth dimension, brings the magic of the theater of the world not only into play, but into participation. Because we not only participate with that dynamic world enlarging, the mystery is that it welcomes us and participates with us.

One of the early books that George, who was a woman. George Yeats, the wife of W.B. Yeats. Yeats was always enticed by the occult because he was a natural telepath. And it had a kind of a clairvoyancy that didn't go just in a future but went in the past as well because he had a presence. And even as a child, his Uncle George, another George, **inaudible name** in the west of Ireland County, Sligo, as we've talked about, would practice telepathy with his nephew, young nephew walking down by the stream bed, and he would be up on a ridge, and they would just be communicating.

George, Georgie Hyde-Lees was a precocious, the intelligent young woman. By the time she was 19, she was already understood finding that there was so much to know that she was reading constantly. Meeting constantly. Going into developments constantly. And one of her very early favorite writers was a man who went by three initials as the old British Empire used to have, G.R.S Mead. And his book. Here's, here's a first edition of it. Dream book published in 1895 and put out in the second edition in 1907. And its title is The World Mystery: Four Comparative Studies in General Theosophy by G.R.S. Mead.

Mead was the last secretary to Madame Blavatsky, who had founded the Theosophical Society. And Mead took over from her the editing of the magazine. She originally called it Lucifer the Bringer of Light. He said, no, this is The Theosophical Review. And when she died, the whole structure of this worldwide cognoscenti population that were in this society. Based yes, in London, but had its operative in India.

In fact, on the south coast of India, near the great city of Madras. Now called Chennai. It was centered on where the Adyar River runs into the Bay of Bengal. Because it was there at that site that the apostle Thomas, Jesus's apostle Thomas, who had been planned to be sent as he did, go to India to carry with him the way the new way, the word. The understanding. This is new. And he, after being around India for quite some long time, died and his tomb is still there alongside the Adyar River on a hill. It's called Saint Thomas Hill.

And the Theosophical Society located itself there because this is an East meets West. Only they thought that it was an East tutors the West when actually it was the East refined by the West so that it could be tutoring rather than have it as some kind of exceptionistas being taken out of society and put into these ashrams and hermitages and little cells of men. That it could be a part of a society that had men and women in it. And now everything was being brought back and changed.

We're going to take a little break and we'll come back to The World Mystery, W.B. Yeats, George Yates, and many other aspects that will be, I think, surprising enough to be meriting companionship with new horizons.

Let's take that break.

END OF SIDE ONE

Let's come back. Let's come back to a newly disclosed recalibration of time. Time in a universe is a single dimension, usually styled as space-time for four dimensions as a fabric of the universe. And that styling is only about a century and a generation old. It's due to Einstein.

Very early on 1905, the recognition that time is the first dimension is the dynamic energy of the universe. So that it takes an immense realization to understand that we're living in a civilization that has three kinds of time. What could it possibly mean? It means that we have moved in our learning, if we will learn, into something that has more dimensions than the universe. The universe as an idea. The universe as a mental, integral uni-verse. One place. It's a whole. It's a universe. No, it is not. That was a limitation, a mind form. A mental form that is inaccurate in so many ways. There are more ways that it is inaccurate than the single understandable way in which it was a misconception.

For George, Georgie Hyde-Lees eventually become Mrs. W.B. Yeats. George Yates was an incredible researcher and she busied herself all the time going to the British Museum, where everything was. The center of the empire. Everything was brought to the British Museum. They spun off a generation ago, the British Library taking the books out, which destroyed a great deal. The reading room of the British Museum was a colossal, huge amphitheater with shelves in layers and stories and a huge amphitheateral floor covered with desks and lamps and chairs and people studying and reading. Books being brought out by a great staff. And the museum having all of the artifacts of the world of history, especially at the end of the 19th century, all of the archaeological loot brought there. So that it was the first place since ancient Alexandria and its museum. Actually, the Greek term is mouseion, and it means the temple of the muses. The nine women muses, who as a spectrum have a choreography of a 10th. The 10th being Apollo. That far darting, sending perception, far darting Apollo, whose chariot is the sun. Wow. And those nine sacred women as a scalar find their 10th. They find that 1-0 as the extension into ordinal powers of the single digit 1 to 9. A 10th goes back to one with a zero. A power of ten. So that Apollo, the Apollonian, is an ordinal empowerment of a scalar of the nine sacred women as muses.

Georgie read constantly in the British Museum. Looking at the exhibits. Understanding more and more as she went around London and getting herself into this society and that society and showcasing it all and coming to understand that there were some really major happenings going on and some outstanding figures. And one of them was because her mother was always interested in this precocious Irish poet, W.B. Yeats. It's interesting to understand that when Georgie ran across the writings of G.R.S. Mead, she suddenly perked up and realized that she had an opportunity to have a front row seat.

Yeats was still sort of enamored with the occult. Enamored with the way in which Madame Blavatsky had singled him out as being the most mysterious, promising young figure. A tendency of the female genius running the Theosophical Society that would be repeated later on after another woman ascended finally. After a debacle of somebody who tried to take over the Theosophical Society named Ledbetter.

And the woman who emerged was Annie Bassett, Mrs. Bassett. And she had the same realization about a young India boy named Krishnamurti that Madame Blavatsky had about WB Yeats. That he was he was the occult star of a new revelation. So, to Krishnamurti, he was he was to be the occult star. The Theosophical Society had an order of the star. He was the star. He was the messiah of the new age. The new order.

Yeats was somewhat displaced for Georgie in her early twenties because she discovered people like Mead not only was publishing the world mystery, but also by 1894 was publishing articles in a periodical. And everyone was saying these have to be collected in a book. And finally, they were collected in a book, Fragments of a Faith Forgotten. This is the second edition after a while. Mead, who was very careful. His scholarship included. Oh, it included a number of things. He could read Sanskrit. He could read Greek. He translated some remarkable things. He, for instance, translated in two volumes the major Upanishads out of Sanskrit. 1895. Two little volumes. This is the first time they were collected together and published is a pocketbook. Men's coats and women's bags and all that used to be able to have this. So, you could read them on the train and so forth. He also could read enough Coptic so that he understood that we have been lied to in major ways.

Preface to the first edition of Fragments of a Faith Forgotten include,
I have since then been asked repeatedly to rescue them from the oblivion of back numbers of a review and publish them apart. This I for long unwilling to do because I had planned a large work to comprise a number of volumes and to be called Round the Cradle of Christendom.
Around the cradle of Jesus into the blossoming of Christendom. The Kingdom of Christ. The Kingdom of this Seed of Jesus in the Cradle.

The materials of which I was collecting and gradually publishing in magazine articles with the intention of gathering them all finally together, revising and printing them all finally. This, however, would have meant the work of many years, work that might never be completed, for no man can count on the future. And which would therefore have remained in the form of an apparently disconnected mass of articles without plan or purpose.

Anyone who has worked for a lifetime on such huge scale understands that it's almost impossible for anyone to understand what they're doing. Because they're taking this as, oh, well, this is what you're doing. Well, no, it's not. It's a pixel. Yeah, there is not only a photograph, there's a whole film that. There's a film library. And to learn is to learn how to see on that scaler, which takes that fifth dimension of vision because without it, the mind integrates only. The natural cycle ends with the mind integrating. The brain, all those nerves lead to a column that goes straight to the brain. That's the flower. Well, what carries from the flower besides its beauty is its fragrance. Many other aspects. So, we have a quality that is elusive and that is the attentive stamina to learn.

In Fragments of a Faith Forgotten already by the second edition 1907, there was an immense jump in capacity.

One of the things that appeal to Georgie was discovering, well, here's W.B. Yeats. Here's G.R.S. Mead. Who else can I find? Is around right here in London? And traveling there, amazingly was a man, an India man named Rabindranath Tagore. And Tagore had as a young man. He'd come from an elegant Bengali family. And the head of Bengal at that time, the creme de la creme had estates in Calcutta, now renamed as Kolkata. But Calcutta. And right off the main street, Calcutta now has about 25 million people. In those days, the estates were all along one grand road, and some of them had their grounds going down to the great realm of Hooghly River that runs mid-city. There's only one huge bridge going over that carries hundreds of thousands of people every day, walking generally. It's huge.

Tagore was singled out as the most beautiful, regal looking royal individual of great talent. So, he was sent very early on to England to spend some time there, in London to get his English right. To get it distinctly upper class. So that he could read and write and speak anywhere in the Empire. And when Tagore, as he matured, became increasingly interesting to Georgia, and found that his poetry was augmented by his plays.

And the first play that Tagore was involved with was a retelling of an ancient segment, a mythologian, as it used to be called in Edwardian England. A mythologian from the epic of the Mahabharata by Vyasa. And it was about a woman who has incredible capacities and has a dialogue with death. That Death has come and she, with her psychic genius, can see. And with her occult into a poetic, is able to talk with Death. Enter a dialogue with Death. Who says I have come for your husband? You have come for my husband? Why? Well, is time his time? It's time for me to collect. No, she says, you will not do this. Her husband, Savitri, comes into play and there is a trialogue.
That all of this then becomes something archetypal. Archetypal that a muse, a wise woman on that level. Who can have a dialogue with Mr. Death and contest his right to determine the time is up for your husband. No, it's not. What time are you keeping? By us. it was extraordinary.

He lived about to 50 B.C., and among other things, he wrote he Bhagavad Gita.

This story of Savitri became so powerful because of Tagore. And by the way, Tagore and Yeats, the mature young Tagore in London, when Yeats by Georgie introducing him to his writings, hiss poetry and his plays. Yeats, said, I have rarely ever felt this energy in this excitement in another writer. And he used what influence he had. And Rabindranath Tagore in 1913 became the first Asian to ever win the Nobel Prize for Literature on by then, the great sagacity recognized that if Yeats singles him out as great, he must be great. On that level. And he is. Still.

And Yeats, his poems and plays are like Tagore's poems and plays. They are bringing mythology out into play.

In 1900 another brilliant, beautiful young India man from the south of India. Tagore, Calcutta's in the North. But in the far South, along the same coast, a couple thousand miles near Madras, near Adyar was born, a man who eventually came to be called Sri Aurobindo. And his major poetic work is called Savitri. This is the...he passed away as an elder yogi of not only the world, but of history in 1950. His Georgie, his muse, often referred to simply as the mother, took Aurobindo's work and built the first planetary city called Auroville outside of Madras, about as far as Adyar was from Madras further south there, Auroville was built is there. It's still there. No mother oversaw that.

Like Mrs. Frank Lloyd Wright made the Taliesin Fellowship for her new husband, Frank Lloyd Wright, who was not getting any commissions and was running out of money, etc. And she said, well, we'll teach. She was a student of Gurdjieff in Europe and she said, well, we'll make a life. We'll, we'll start a fellowship. It doesn't have to be a school for instruction. It needs to be a companionship for learning how to build in reality, which means doing all kinds of things together. And they were successful. The mother was successful.
And in 1950, this commemorative edition of Savitri in two volumes was published.

In the midst of all of this from India and from London centered English language world culture on the other side, almost as far as India was America. And from America, Georgie found at the same time William James. Just when Mead was publishing in 1895, his Upanishads, his The World Mystery. Just about that time William James was bringing to the fore the kinds of lectures that would become the seeds for the books that would, in a few years stun the world.

In 1896, he lectured at the new University of California in Berkeley. A lecture that was on Pragmatism. And it wasn't put into a book form until much later. And Pragmatism was about the ability to be attentive to experience as it actually occurs, with a conscious dimension being active with the dimensions of the world, of the universe, with something more powerful. Transformativly powerful, not just the psyche, like in psychology, but in psychic energy.

And James, among other things, he was born on the Harvard campus. And he became the great professor at Harvard, world famous. He was, of course, from a level of cultivation and opportunity. He was taken to Europe very frequently as a youngster and learned German perfectly well. And France, French and Italian and Spanish. Quite extraordinary character. His brother was Henry James, the great novelist. The father, Henry James Senior, was an OCD father. And he forced the boys and their sister, Alice, to learn all these languages at the same time when they were little. James learned to read Greek out loud about age six. By then he could do it. And German and so forth.

The sister Alice eventually could not sustain that masculine, overbearing insistence on world capacity genius. And she, as I say gently, how to breakdown. Had to be cared for and was cared for.

Henry became an American expat. He became very British, like later T.S. Eliot. And continental. He loved to travel and write about Americans who were really British in their consciousness, traveling on the continent and coming into play with incredible dimensions of complication. And one of the great critical studies of Henry James, Dorothea Cook, is Henry James and The Ordeal of Consciousness. It's a gambit to get through.

William James was more capable than Henry James. He very comfortably became the president of the Psychic Research Society that was based not only in London, but because of him also had a base in the United States. And. He, when he had given Pragmatism and began to give other lectures on building it up. He produced a classic in 1902, It's still in print. It's never been out of print. It's called The Varieties of Religious Experience. That we cannot talk about religion. It is a spectrum like light that is only available as a spectrum if it comes through a prism of a person who is able to diffract the full light of the rainbow. And that these varieties of religious experience then give us a different picture of God. Not singular possession of the right way, but the Way with a capital W of the full spectrum. 1902. It's, it's always been in print.

Georgie Yeats was the first in her group to understand that just being occult and just being nice little groups is not going to be enough. One needs to be out, as they say, in Canada, out and about.

By the way, about that time, about 1907-08-09, two young genius composers who were English were hiking through the English countryside together, collecting folk songs. And one of them was Ralph Vaughan Williams, and the other was Gustav Holtz. They were buddies for the rest of their lives and both incredibly great composers. Holtz was like James in that he was a genius with languages. And he actually learned Sanskrit. He learned how to read and write Sanskrit. He learned how to read and write Greek. And among his compositions is an opera of Savitri. He could read Vyasa's original. He didn't have to have Tagore's play at all. He made his own. With libretto and compositions and the whole thing. Holtz is a familiar because one of his great compositions about a 50-minute kind of super symphony, it's called The Planets. All the Planets, then known of the star system. It's a star system symphony for the first time ever.

And one of his little compositions was taken from G.R.S. Meade. He did a whole series, 11 little books like these green books. Published as a set in 1906. This is what they look like, The Hymn of Jesus. The Hymn of Jesus is sung because there is a dance of Jesus. A round dance of Jesus that when one gets into the kinetic kinesthetic of a round dance, the cycle is no longer a cycle. It's a spiral. In fact, it's a double chiral spiral. It spirals in deeper and spirals out farther. And so, one begins to have the cadence of a learning that is axial. It takes in the angular momentum of wisdom in its whole symmetry, and one begins to learn that astonishment is the characteristic tone of the cosmos. There is so much to learn.

Mead about the same time, the mid 1890's. H.G. Wells was publishing The Time Machine in 1895 and publishing The Island of Dr. Moreau in 1896. The Invisible Man in 1897. The War of the Worlds, 1898. You get it. He did a translation of Plotinus and gave in segments. And this is a first edition published London, with agencies in Madras and Benares on the Ganges. The Benares and the Ganges. Benares, The city of light.

The Ancient Buddha, published by London, 1895 Plotinus. It's, it's still in print.

And years later, he translated and published Thomas Taylor's Select Works. Taylor is a contemporary of Blake and Coleridge and Shelley. And Mary Shelley and Wordsworth. And a real genius. The great Irish quality that a friend of Yeats recognizing along with Georgie, along with W.B., that Plotinus is a beacon talisman of ancient wisdom, brought to a bright supernova, that one can at least get one's bearings temporarily from about the 200's A.D. that it has gotten to this stage.

The collected, great collected edition of Plotinus all 54 of his Aeneids. Aeneid is a nine-fold geometric city structure. Like the muses, the nine muses. Like the nine planets to the nines. Each of those nine have a honeycomb of a structure six. Six treatises for each Aeneid, and the nine Aeneids brought together, and the reader who can comprehend them is the 10th.

Penguin Classics brought out a selection of Stephen McKenna's Plotinus. And redone it with notes here in selection. John Dillon, who also is Irish and still teaching. And yes, you can buy it. It just came out a few years ago. It's available. Penguin Classics Plotinus.

What we're learning is that not only is all of this ongoing, but it is accumulated energy in the hundred some years since then because it has led up to a massive time form renewal. The major time form renewal is a carrier way that is so powerful that it is two hands. Each one of those hands being a millennium. So, it's the paired millennium brought together with a new way in which all the dimensions of consciousness and of space-time come together in a complementarity of nine dimensions that have a 10th dimension Apollonian kind of a space, we call hyperspace. Star systems do not travel or communicate in space, but in hyperspace.

More next week.

END OF RECORDING